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Catwalk makeup
Catwalk makeup

Video: Catwalk makeup

Video: Catwalk makeup
Video: 4-минутное руководство по макияжу на подиуме | Подиум-шоу Весна 2020 2024, April
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The wave of fashion shows that recently swept through the world capitals of glamor - London, New York, Milan and Paris - did not disregard new trends in makeup. The make-up of a fashion model is so special that it must, firstly, be stable during long shows and under hot spotlights, secondly, it has the goal of being noticeable from the farthest rows of the auditorium, and thirdly, it must match the style of the designer outfit, which the model is currently representing.

In everyday life catwalk makeup used by girls who are extravagant both in dress and in behavior, and leading a nocturnal lifestyle - with appropriate artificial lighting and a mass of familiar and unfamiliar faces around: the former should instantly recognize, and the latter should be instantly interested. So…

Face colour

Set aside the black ink. Discard the metallic shine. One of the indispensable attributes of catwalk fashion is a reliable tonal foundation. "On the catwalks, from a distance, all the models have a great complexion," says Gordon Espinet, an expert of M. A. S. - This is the secret of the models' perfect skin - they just look unadorned, as if everything is natural, no paint."

Today, the elements of even rich catwalk makeup are becoming lighter, and its shades are brought to perfection. And first of all, this concerns the base color of the skin: the tonal base has never been chosen so carefully. Thanks to it, the skin looks healthy and natural, not too oily and too matte. "The base is the essential item in any cosmetic bag," Espinet is sure. But you need to choose the right texture. It should not be very thick or viscous, but loose, too. The foundation is designed to give you the complexion of a 14-year-old girl - minus spots and pimples, of course.

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April Greaves, a high-end make-up artist from Australia, suggests starting to apply foundation from the center of the face, touching up the excessively pigmented areas in the T-zone, and then applying it lightly on the cheeks. "Set the foundation with loose powder," advises April, "but do not use the powder often throughout the day. And to remove the oily shine, use special absorbent wipes."

Apply the tone by all means with a sponge. The sponges absorb moisture from the foundation, making the face look more matte. By applying the foundation with your finger, you leave more moisture and oil on the skin - this will make the foundation layer thinner.

The most ideal option for powder, according to Espineta, is a brush. Always use a wide one for the entire face, and a few small ones for the corners of the eyes and around the nose. As a result, the complexion will be even.

Eyes

Some makeup artists have been dubious about so-called "smoky" makeup for so long that it's amazing how sultry, sultry eyes are still considered trendy. The latest runway incarnation of this style is definitely the most acceptable and popular of all: neutral brown eyeshadow with a plum hue. In this design, the "smoky" look - usually creating a depressing effect - seems the most natural. For nanseniya makeup runwayMakeup artists accentuated the darker skin around the eyes by using a cool brown bezel. Natural yet sexy eyes, combined with a messy hairstyle and a noticeable lack of blush in almost every show - all this defines the new style of the season "I slept in the library" - a sophisticated expressive awkwardness of a schoolgirl.

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"Apply makeup closer to the lash line and lid, rather than directing towards the brow line," advises Espinet. remember - shadows should be matte, not pearlescent."

April Greaves recommends using a soft chocolate pencil to outline the entire eye: "Then blend it a little at the corners of the eyes and up to the upper eyelid, adding a transparent creamy shade of brown. the time is fresh and modern - and not heavy."

Lips

A bright smear of red or plum lipstick came in handy at the show of Prada transparent raincoats and added femininity to them. Because otherwise the faces on the podium would appear colorless. “During Fashion Weeks we saw a lot of shades of plum, pink, fiery red - colors that are usually found in natural skin color, - says Espinet. - These shades are pleasing to the eye, not killing on the spot. They are not shocking. from natural face paints - and look natural. " The most modern lip tones have been used in the Prada and Louis Vuitton runways - "kiss color", lightly powdered for a velvety effect that is even more impressive.

Makeup artist April Greaves believes that deep reds and plum tones look best on lips when the lip contour is left unclear. "Blend the lipstick with your fingertip," suggests April. "Use long-lasting lipstick - not in the form of a stick, but in a jar, with a velvet effect. If necessary, gently outline your lips with a pencil to match the color of the lipstick exactly."

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Choose a color that resembles natural lips, not too shiny or too oily. April Greaves recommends blotting your lips with a tissue, removing excess lipstick - this simple procedure will help to achieve the correct texture.

Nadine Luc, who did makeup for Roberto Cavalli models, recalls: “The girls had to look sexy, divine, passionate. I used a copper tint for the eyes - it is very effective in bright light. Bronze - for the cheeks, as if the girls were kissed by the sun. - lots of mascara plus curled eyelashes to achieve the effect of “eyes brushing the powder off the cheeks.” I left my lips untreated. The girls looked incredible. This became my favorite show at Milan Fashion Week as my hair, makeup and clothes were in absolute harmony.

In general, my favorite product is a transparent gloss: it can be used on lips, eyelids and even cheeks - to give them a slight shimmer. I also love the makeup base, which makes the skin look as if the face is not toned at all. And also - a foundation with an SPF level of protection - it gives the skin a natural, radiant look. And I mostly go for soft, creamy colors, whether it's blush or shadow."

Generally, catwalk makeup meets the basic principles of modern make-up - maximum naturalness plus bold expressiveness. If we are not talking about a show in the style of "The Blair Witch" by Alexander McQueen or Versus, which require a special solution in makeup, then make-up artists tend to avoid grotesque and pretentiousness.

And, most importantly, the law of the catwalk remains inviolable: one should not look at the model's face, but at the dress she is wearing. Therefore, if you use podium makeup options and at the same time do not go to the podium, then the colors will be less catchy, and the style will be less shocking.

And isn't that why upper-class fashion designers outside of work prefer to avoid makeup altogether?

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