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Biography and personal life of Kirill Serebrennikov
Biography and personal life of Kirill Serebrennikov

Video: Biography and personal life of Kirill Serebrennikov

Video: Biography and personal life of Kirill Serebrennikov
Video: Как Серебренников потратил 218 миллионов / #театральноедело 2024, April
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After the court sentenced the famous Russian director Kirill Serebrennikov to 3 years probation for financial fraud, users began to show great interest in his biography and personal life. Opposition members tend to view this sentence as politically motivated persecution.

Biographical data

Russian director Kirill Serebrennikov has received recognition not only in Russia, but also abroad thanks to his extraordinary films and theatrical performances. All his productions always arouse the interest of critics and the audience.

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He is one of the few domestic artists whose performances are attended by foreign audiences. Since 2012, Kirill has headed the Gogol Center, created on the basis of the Moscow Drama Theater. V. N. Gogol, around whose activities a scandal has unfolded today in connection with large financial embezzlements.

Childhood

Serebrennikov was born in Rostov-on-Don in 1969. His father was a surgeon, and his mother taught Russian in high school. Despite the fact that Kirill Semenovich's parents were not representatives of the art world, he became the successor of the famous Russian director's dynasty.

His maternal grandfather, Alexander Ivanovich Litvin, studied at VGIK with S. Eisenstein himself, became a documentary filmmaker, an honored worker of culture and art of the Moldavian Soviet Socialist Republic.

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Serebrennikov entered the physics department of Rostov University, which he graduated with honors. In his student years, as at school, Kirill Semenovich was engaged in directing, staging performances on the theme of perestroika.

Serebrennikov was the artistic director and director of the student theater studio "69", where he staged provocative performances. At his performances, the audience was poured with kefir, naked actresses walked around the stage. Kirill Semyonovich's first student performance was a staging based on the works of D. Kharms.

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Director's career

After graduating from Rostov University, Serebrennikov has been working as a director in Rostov theaters for 7 years:

  • Academic Drama Theater. M. Gorky;
  • Rostov Youth Theater.

One of the first scandalous productions at that time was his performance in the Rostov Theater for Young Spectators "Town in a Snuffbox", which was soon banned. Rostov theater critics negatively perceived Serebrennikov's theatrical experiments.

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Simultaneously with theatrical directing, Kirill Semenovich is also engaged in television productions on Rostov television in the television companies "South Region" and "Don-TR", having removed a large number of television projects:

  • documentaries;
  • advertising and music videos;
  • television series.

In the 2000s, Serebrennikov decided to move to Moscow to try his hand at feature films. At first, the Moscow theater community received the director coldly, considering him too provincial.

Recognition was brought by the staging of Vasily Sigarev's complex play "Plasticine", which was proposed by playwright Alexei Kazantsev (7 directors had previously refused it).

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After a successful premiere, Serebrennikov began working with many leading theaters in Russia:

  • "Contemporary";
  • Theater them. Pushkin;
  • Mariinsky;
  • "Snuffbox".

In 2006, the black comedy "Depicting the Victim" was released, in which famous actors starred:

  • Marat Basharov;
  • Fedor Dobronravov;
  • Marina Golub;
  • Leah Akhidzhakova;
  • Anna Mikhalkova and others.

For his film, the director received the main awards at the Kinotavr and Festa del Cinema film festivals.

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In 2010, Kirill Semyonovich staged the infamous novel "Okolonolya", the authorship of which is attributed to the well-known Kremlin official Vladislav Surkov. The play became a kind of political manifesto of the director, who actively criticized the authorities.

In 2012, Serebrennikov became artistic director of the Theater. Gogol, and in 2015 creates the Gogol Center from it, on the site of which they began to show not only performances, but other significant events in the cultural life of the capital.

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In 2016, his painting The Apprentice received awards from the Cannes Film Festival and the Kinotavr. Since this year, the director has been actively working in Europe. Under the auspices of the cognac house Remy Martin, he created a film about people who have successfully realized themselves in several areas at once, for the international project One Life - Live Them, presented the original production of Shakespeare's play "A Midsummer Night's Dream".

In 2017, a criminal case was opened against the director and his Seventh Studio, in which he was accused of large-scale embezzlement of state funds allocated to the Gogol Center for the implementation of the Platform project.

Since that time, Serebrennikov was under house arrest, without ceasing to engage in directing work online.

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While the director was in the case as a witness, he began filming a new film dedicated to the cult Russian rock singer Vitor Tsoi. When he was charged and placed under house arrest, work on the painting was interrupted. At this time, he was able to independently edit the film about Viktor Tsoi on a computer without the Internet, since it is forbidden to use the global network with this content mode.

On June 26, 2020, the court issued a verdict in the case of the Gogol Center and the Winzavod art platform, setting Serebrennikov a term of three years probation and a fine of 800 thousand rubles.

Representatives of the theater community, who support the non-systemic opposition in Russia, seek to turn the case of economic crimes into prosecution for political reasons, regardless of the fact that the alleged “opposition” director was so generously funded from the state budget.

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The director's personal life

Kirill Semenovich does not like to advertise his personal life, does not talk about his childhood, parents and wife. It is only known that his wife is the daughter of a famous Moscow director and that she is an art critic by profession. It is also known that Serebrennikov has no children, although he is 50 years old.

The verdict was made on the basis of the testimony of the chief accountant of the Seventh Studio, Nina Maslyaeva, for fraud and embezzlement on an especially large scale. The case file says that Serebrennikov cashed money received from the Ministry of Culture with the help of companies registered in his name.

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The conditional sentence comes into effect after 10 days from the date of its announcement. Serebrennikov was released from house arrest, and he can now start his professional activities directly in the theater and on the set.

Many journalists who support the domestic policy of the Russian government point out that the case of director Kirill Serebrennikov, whose biography and personal life is being written by many media today, has become a vivid demonstration of the process of humanizing punishment for economic crimes.

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Summarize

Anyone who is interested in creative activity and the criminal case initiated against the director Kirill Serebrennikov should remember a few important points:

  1. Director Kirill Serebrennikov was able to independently achieve recognition of the theater community and become one of the leading Russian directors, despite the fact that the theatrical world of the capital did not accept his work at first, considering them too provincial.
  2. Having become a successful director, Serebrennikov was able to head one of the leading Russian theaters in Moscow and reformat its work as he saw fit.
  3. The Ministry of Culture issued large special tranches for Serebrennikov's projects, which, as it turned out, he simply cashed out through companies registered in his name.
  4. When Serebrennikov received state funding, there was no talk of his political views in non-systemic opposition circles.
  5. Now a number of cultural figures are trying to make political violence out of an economic crime, without explaining why the state so generously financed the oppositionist fighting the government.

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