Catherine Deneuve appreciated the outfits of Saint Laurent
Catherine Deneuve appreciated the outfits of Saint Laurent

Video: Catherine Deneuve appreciated the outfits of Saint Laurent

Video: Catherine Deneuve appreciated the outfits of Saint Laurent
Video: Catherine Deneuve sing- Ma plus belle histoire d'amour- L'amour fou (2010) (extrait from the film) 2024, April
Anonim

Paris Fashion Week is in full swing. The French capital has an incredibly dense concentration of celebrities, and most of them attended the Saint Laurent fashion show yesterday. Indeed, such a show would be a sin to miss.

  • Catherine Deneuve
    Catherine Deneuve
  • Salma Hayek with her husband
    Salma Hayek with her husband
  • Agness Dayne
    Agness Dayne
  • Saint Laurent collection spring / summer - 2016
    Saint Laurent collection spring / summer - 2016
  • Saint Laurent collection spring / summer - 2016
    Saint Laurent collection spring / summer - 2016
  • Saint Laurent collection spring / summer - 2016
    Saint Laurent collection spring / summer - 2016

The cream of the celebrity community was looking at new models from the creative head of Saint Laurent Hedi Slimane with interest. Among the guests were the legendary Catherine Deneuve in a flirty leopard-print coat, Hollywood star Salma Hayek in a stylish black transparent blouse and notorious musician Pete Doherty.

Not without a star on the catwalk - journalists are enthusiastically discussing the return of model Agyness Deyn, who has not appeared on fashion shows since 2011. Now Agness is back in the ranks, and, in the unanimous opinion of secular observers, she is "still cool."

As fashion critics note, next season Eddie strongly recommends looking at the “second skin” or Slip Dress outfits and paying special attention to the combination of rough leather with delicate chiffon, as well as funny jewelry like silver tiaras and other grunge in the style of Courtney Love.

“Slimane manages to combine elements on the catwalk with a tangible trail of vulgarity,” fashion professionals argue, “turning them from apologists for vulgarity into uniforms of fragile and vulnerable youth. Each of his collections, perhaps, becomes so successful precisely because of this speculation on the topic of ephemeral youth, which is about to pass."

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